Attempting" to understand the criminal mind, is a theme that's always been popular in films, and, on occasion, made for great films, eg. "MANHUNTER,""SILENCE OF THE LAMBS," and "THE MEAN SEASON."  Director Romuald Karmaker's "THE DEATHMAKER" is based on the stenographer's notes of a lengthy psychiatric exam of mass murderer Fritz Haarmann. There was never any doubt as to whether he committed the murders, as Haarmann confessed to killing and dismembering 24 boys. But,  some may be surprised, that in  "Pre-Nazi" Germany, 1924, there was actual concern for equity under the law.  The examination was taking place to determine whether or not Haarmann was competent enough to stand trial for his crimes.  The professor assigned to examine Haarmann, Ernst Schultze, is intent on uncovering the motivation behind these crimes, as well as whether or not Haarmann is actually insane or simply trying to escape justice.  Jurgen Hentsch is fantastic as the Professor, bringing an understated nobility to the role.  He's an educated man of science, and tries to compose himself professionally, and when his disgust of the horrors committed, catches up to him, it makes for a dramatic scene.  But there are many dramatic scenes in the film.  Those expecting an "edge-of-the-seat" thriller, may be disappointed. The film's pacing is slow and deliberate, assuming a reflective, contemplative look at the crimes and the criminal, rather than trying to go for the jugular.  Gotz George gives a great performance as Haarmann, presenting him as a complex individual, capable of a fine disposition at one moment, but able to turn malevolent in an instant. 

ANCHOR BAY ENTERTAINMENT has preserved the film's correct 1.66:1 aspect ratio, with 16:9 enhancement.  The colors are surprisingly rich and colorful, in spite of the subject matter.  Contrast is excellent, with deep blacks and grays. There are no artifacts. Fleshtones appear natural throughout. 

ANCHOR BAY ENTERTAINMENT has provided the original monaural track. Music only appears in the opening credit sequence, and afterwards, this is a purely dialogue-driven film.  The dialogue is always intelligible and free from distortion. 

Two short films by Director Romuald Karmaker, have been included.  One could easily assume Karmaker may have personal problems relating to abuse.  Both films display violence, without any real sense of necessity.  In "COUP DE BOULE," the viewer is introduced to a group of soldiers inside an Army barrack.  After the introduction, the soldiers either bang themselves against a locker, or attempt to show physical prowess.

In "DEMONTAGE," a man is hung upside down on a robe, as another man swings him between two strips of metal, seeming to cause pain without any rhyme or reason.